"Old School" Garden Fountain Creative Designers

Often serving as architects, sculptors, artists, engineers and cultivated scholars all in one, from the 16th to the late 18th century, fountain designers were multi-talented people, Throughout the Renaissance, Leonardo da Vinci exemplified the creator as a creative wizard, creator and scientific expert. He methodically recorded his observations in his now celebrated notebooks, following his mind boggling interest in the forces of nature guided him to explore the characteristics and motion of water. Coupling inventiveness with hydraulic and landscaping expertise, early Italian fountain engineers modified private villa settings into brilliant water exhibits full with symbolic implications and natural charm. The humanist Pirro Ligorio, renowned for his virtuosity in archeology, architecture and garden design, offered the vision behind the wonders in Tivoli. Masterminding the extraordinary water marbles, water attributes and water pranks for the various estates in the vicinity of Florence, other water fountain creators were well versed in humanistic themes as well as classical technical texts.

The Root of Contemporary Outdoor Wall Fountains

Root Contemporary Outdoor Wall Fountains 4252659499615791.jpg Pope Nicholas V, himself a learned man, reigned the Roman Catholic Church from 1397 to 1455 during which time he commissioned many translations of old classic Greek texts into Latin. Beautifying Rome and making it the worthy capital of the Christian world was at the center of his objectives. Starting in 1453, the ruined ancient Roman aqueduct known as the Aqua Vergine which had brought fresh drinking water into the city from eight miles away, underwent reconstruction at the behest of the Pope. A mostra, a monumental commemorative fountain constructed by ancient Romans to mark the point of arrival of an aqueduct, was a custom which was restored by Nicholas V. The Trevi Fountain now occupies the space previously filled with a wall fountain crafted by Leon Battista Albert, an architect employed by the Pope. The aqueduct he had reconditioned included modifications and extensions which eventually allowed it to supply water to the Trevi Fountain as well as the renowned baroque fountains in the Piazza del Popolo and the Piazza Navona.

The Father Of Rome's Fountain Design And Style

Father Rome's Fountain Design Style 543850797247151841.jpg In Rome’s city center, there are countless famous fountains. One of the best ever sculptors and artists of the 17th century, nearly all of them were planned, conceived and constructed by Gian Lorenzo Bernini. Also a city designer, he had abilities as a water fountain developer, and records of his life's work are evident throughout the streets of Rome. Eventually moving to Rome to completely show their art, chiefly in the form of public water fountains, Bernini’s father, a renowned Florentine sculptor, guided his young son. An exemplary employee, Bernin received compliments and the patronage of popes and important artists. He was originally celebrated for his sculpture. Working gracefully with Roman marble, he made use of a base of experience in the classic Greek architecture, most especially in the Vatican. Though he was influenced by many, Michelangelo had the most serious effect on him, both personally and professionally.

Aspects of Outdoor Statuary in Archaic Greece

Aspects Outdoor Statuary Archaic Greece 743637200001971.jpg The primitive Greeks built the 1st freestanding statuary, an impressive achievement as most sculptures up until then had been reliefs cut into walls and pillars. Most of the freestanding statues were of young, winsome male or female (kore) Greeks and are called kouros figures. The kouroi, viewed as by the Greeks to portray beauty, had one foot extended out of a rigid forward-facing pose and the male figurines were always undressed, with a strong, powerful physique. In 650 BC, life-sized variations of the kouroi began to be observed. The Archaic period was turbulent for the Greeks as they evolved into more polished forms of federal government and art, and acquired more information and facts about the peoples and civilizations outside of Greece. Notwithstanding, these clashes did little to hinder the advancement of the Greek civilization.